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La Chute de la Maison Usher (1928)

La Chute de la Maison Usher [The Fall of the House of Usher] is an adaptation of Edgar Allan Poe’s story and the best-known film…

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Night and Fog (1955)

Widely considered one of the greatest documentaries ever made, Night and Fog [Nuit et brouillard] is a 1955 French short film about the Holocaust, combining…

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Nosferatu (1922)

Friedrich Wilhelm Murnau’s Nosferatu: Eine Symphonie des Grauens [A Symphony of Horror] (1922) is a German Expressionist film that remains one of the most popular…

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Karnad, Girish (1938–2019)

The origin of modernism, though highly contested, is generally assumed to be in the West. Such terms as ‘alternative modernities’ have come forth in the…

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Ionesco, Eugène (1909–1994)

Eugène Ionesco is one of the foundational playwrights of the Theatre of the Absurd. He is known for his post-war drama, which deals with the…

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El Khoury, Tania (1982–)

Tania El Khoury is a Lebanese-British live artist whose work has been performed at festivals and in public spaces around the world. El Khoury’s practice…

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Wilder, Thornton (1897–1975)

Thornton Wilder, the accomplished American author of groundbreaking plays and novels, was a modern-day poeta doctus, a ‘learned writer’, appealing to popular audiences while also…

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Psychoanalysis

Psychoanalysis refers to a set of analytic practices, theories, and concepts focused on the inner workings of the human unconscious, its manifestations, and ailments. A…

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Copland, Aaron (1900–1990)

Aaron Copland, recognised as a founding figure in American music, was one of the first to embrace the more accessible genres of jazz and folk…

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Iranian New Wave

The Iranian New Wave began when a group of young Iranian directors—following developments in the Iranian cultural arena with origins in the political and social…

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Visconti, Luchino (1906–76)

Italian left-wing activist and partisan Luchino Visconti was a film, theatre, and opera director, as well as a scriptwriter. Inspired by the poetics of French…

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Jennings, Humphrey (1907–50)

Humphrey Jennings (1907–50) is best remembered as one of Britain's most dynamic documentary filmmakers, but he was also at the centre of the key cultural…

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Ghatak, Ritwik Kumar (1925–76)

Ritwik Ghatak was an Indian Bengali filmmaker who, along with filmmakers like Satyajit Ray and Mrinal Sen, is known as one of the proponents of…

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Chabrol, Claude (1930–2010)

Claude Chabrol was one of the core directors of the French New Wave, which is known for its self-reflexive cinematic modernism. He had also contributed…

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Reiniger, Lotte (1899–1981)

Charlotte 'Lotte' Reiniger (1899–1981), born in Berlin, the first woman animator, was the foremost practitioner of silhouette animation (paper cut-outs lit from beneath and manipulated…

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Ghosts Before Breakfast [Vormittagsspuk] (1928)

Ghosts Before Breakfast (German title: Vormittagsspuk) is a short, experimental, avant-garde animated film from 1928 by Hans Richter. The film, coming almost four years after…

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Spring in a Small Town (1948)

Spring in a Small Town [Xiǎochéng zhī chūn], directed by Fei Mu (1906–51), is one of the classics from the second golden age of Chinese…

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Osaka Elegy (1936)

Osaka Elegy is an early sound film by Japanese film director Mizoguchi Kenji. It features elements of Mizoguchi's trademark style, such as lateral tracking shots,…

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Pull My Daisy (1959)

Pull My Daisy (1959) is a short film directed by Alfred Leslie and Robert Frank, understood as an early example of New American Cinema and…

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Mizoguchi, Kenji (1898–1956)

Japanese film director Kenji Mizoguchi (1898-1956) was one of Japan's three greatest golden age directors alongside Yasujirō Ozu and Akira Kurosawa. Mizoguchi developed a distinctive…

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Vernacular Modernism

The concept of vernacular modernism was introduced by Miriam Hansen in her influential essay, 'The Mass Production of the Senses: Classical Cinema as Vernacular Modernism'…

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Lubitsch, Ernst (1892–1947)

Ernst Lubitsch was a film director, producer, and actor who was a key figure in Weimar cinema and the Golden Hollywood era. He is best…

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Umberto D. (1952)

Umberto D. is a film by Vittorio De Sica, which is often said to mark the end of the Italian neorealist film movement. Its modernism…