Italian left-wing activist and partisan Luchino Visconti was a film, theatre, and opera director, as well as a scriptwriter. Inspired by the poetics of French social realist cinema, Visconti is regarded as one of the foremost interpreters of cinematic Italian neorealism and historical realism, whose moral and political task was to bring the simplicity of everyday reality and the significance of small things to the big screen. Literature, painting, theatre, and cinematographic scenes consistently intersected in Visconti's poetics and visual style. His numerous historical films and theatrical prose, primarily set in European and Italian history, conveyed elements of social criticism that made historical interpretation relevant for contemporary times. Notable for their meticulous attention to detail and stunning scenic reconstructions, these pieces of history created by Visconti are truly universal and, in some ways, relevant to the social turnover of generations and classes. Visconti's intellectual and artistic work predominantly explored themes of poverty and exploitation, as well as eroticism and passion, death and decay, often depicting family crisis, class conflict, the decline of the nobility, as well as that of the industrial bourgeoisie. Many of these themes can be seen as autobiographical motifs. They celebrated the heritage of knowledge and memory that Visconti's aristocratic social class had transmitted to him, while also highlighting its decay in a reality that had lost its identity and historical significance.