Montage
As an aesthetic principle, montage, defined as the assemblage of disparate elements into a composite whole often by way of juxtaposition, is most often associated…
As an aesthetic principle, montage, defined as the assemblage of disparate elements into a composite whole often by way of juxtaposition, is most often associated…
C.E. Montague was an Anglo-Irish commentator and drama critic for the Manchester Guardian (now the Guardian) from 1890, just after his graduation from the University…
The Film Section includes entries on a variety of modernist genres, periods, movements, directors, films, and critical modes aligned with modernist aims and intellectual attitudes.…
Dada began in Zurich, Switzerland, in the midst of World War I. Several expatriate artists converged in the city to escape the brutal and seemingly…
Soupault’s publication of Manifeste du Surréalism in 1924. Rising in the wake of the First World War, Surrealism revolted against a world that had become…
Lev Kuleshov was a Soviet director and theorist who initiated the montage movement of the 1920s. He proclaimed editing to be the primary authorial act…
Ménilmontant is a 38-minute black and white avant-garde French film directed by Dimitri Kirsanoff. Its narrative develops solely through images and montage, without the support…
A Movie (1958) is a twelve-minute compilation montage of vintage newsreels, soft-core “girlie movies,” low-budget Westerns, educational and ethnographic films, and other black and white…
An experimental production of an avant-garde collective of poets and artists known as the POOL group, Borderline is a key example of modernist montage techniques…
Alfred Döblin’s contributions to modern literature consist primarily of his montage style, epic narrative structures and critical eye toward contemporary culture. His masterpiece Berlin Alexanderplatz.…
Neither a movement, nor a group of loosely connected artists, Simultaneism instead describes a tendency in modernist avant-garde art and literature from roughly 1912 through…
Trained as a filmmaker during the Korean War, Kim Soo-yong debuted in 1958 amid the South Korean film industry’s postwar recovery and became one of…
One of the most watched and debated American films in history, The Birth of a Nation is a 1915 silent film by D. W. Griffith…
Vsevolod Pudovkin was a Soviet actor, director, and film theorist working during the first half of the 20th century. He studied chemistry at Moscow State…
Joris Ivens (Georg Henri Anton Ivens), nicknamed “The Flying Dutchman” for his globe-trotting career, was a Dutch documentary maker. His political commitment and deft use…
Debora Vogel (1900–42) was a Polish-Jewish writer, poet, art critic, essayist, philosopher, and translator. She is a key – yet unrecognised – figure in the…
Abel Gance, né Abel Perthon, was a French dramatist, actor, critic, poet, screenwriter, and director. Trying to make it as a playwright and actor from…
The Ukrainian film director, artist, and writer Alexander Dovzhenko was born in Sosnytsia (Chernihiv region) and graduated from the Hlukhiv teachers’ college in 1914. He…
American film director D.W. Griffith was a pivotal figure in cinema’s ascendance as a mass medium and modern art form. He is best known for…
Sergei Eisenstein was an early Soviet film director and theorist who produced widely acknowledged masterpieces of both silent and sound cinema, such as Strike (1924),…
John Dos Passos was an American writer best known for his ‘contemporary chronicles’ of American life. His early novels, including Manhattan Transfer (1925) and the…
Black God, White Devil is a 1964 film directed by Brazilian auteur Glauber Rocha. Shot on location in the Brazilian sertão, it launched the cinema…
The Czechoslovak New Wave was a 1960s film movement which flourished in the Czechoslovak Socialist Republic during a period of general liberalisation in the country’s…
Boris Barnet (b. June 18, 1902, Moscow, Russia; d. January 8, 1965, Riga, Latvia) was a Russian actor, director, and professional boxer. He made his…