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Overview

Montage

As an aesthetic principle, montage, defined as the assemblage of disparate elements into a composite whole often by way of juxtaposition, is most often associated…

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Montague, Charles Edward (1867–1928)

C.E. Montague was an Anglo-Irish commentator and drama critic for the Manchester Guardian (now the Guardian) from 1890, just after his graduation from the University…

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Film Subject Overview

The Film Section includes entries on a variety of modernist genres, periods, movements, directors, films, and critical modes aligned with modernist aims and intellectual attitudes.…

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Surrealism Overview

Soupault’s publication of Manifeste du Surréalism in 1924. Rising in the wake of the First World War, Surrealism revolted against a world that had become…

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Dadaism

Dada began in Zurich, Switzerland, in the midst of World War I. Several expatriate artists converged in the city to escape the brutal and seemingly…

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Kuleshov, Lev Vladimirovich (1899–1970)

Lev Kuleshov was a Soviet director and theorist who initiated the montage movement of the 1920s. He proclaimed editing to be the primary authorial act…

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Ménilmontant (1925)

Ménilmontant is a 38-minute black and white avant-garde French film directed by Dimitri Kirsanoff. Its narrative develops solely through images and montage, without the support…

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Borderline (1930)

An experimental production of an avant-garde collective of poets and artists known as the POOL group, Borderline is a key example of modernist montage techniques…

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A Movie (1958)

A Movie (1958) is a twelve-minute compilation montage of vintage newsreels, soft-core “girlie movies,” low-budget Westerns, educational and ethnographic films, and other black and white…

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Döblin, (Bruno) Alfred (1878-1957)

Alfred Döblin’s contributions to modern literature consist primarily of his montage style, epic narrative structures and critical eye toward contemporary culture. His masterpiece Berlin Alexanderplatz.…

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Simultaneism (simultanéisme)

Neither a movement, nor a group of loosely connected artists, Simultaneism instead describes a tendency in modernist avant-garde art and literature from roughly 1912 through…

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Battleship Potemkin (1925)

Battleship Potemkin (dir. Sergei Eisenstein; Moscow: Goskino, 1925) is the only completed film of what was planned as a series commemorating the 1905 Russian revolution.…

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Berlin: Die Sinfonie der Großstadt (1927)

Berlin: Die Sinfonie der Großstadt [Berlin: Symphony of a City] is a film directed by Walther Ruttmann, co-written by Carl Mayer and Karl Freund, who…

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Kim, Soo-yong (September 23, 1929--)

Trained as a filmmaker during the Korean War, Kim Soo-yong debuted in 1958 amid the South Korean film industry’s postwar recovery and became one of…

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The Birth of a Nation

One of the most watched and debated American films in history, The Birth of a Nation is a 1915 silent film by D. W. Griffith…

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Dreams That Money Can Buy (1947)

Dreams That Money Can Buy (1947) is an avant-garde film written, produced, and directed by the Surrealist painter and Dada film theorist Hans Richter. It…

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October (1927)

October (Dir. Sergei Eisenstein and Grigorii Aleksandrov; Moscow: Sovkino, 1927) is a film about the 1917 Bolshevik revolution and the events leading to it. Due…

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Pudovkin, Vsevolod Illarionovich (1893–1953)

Vsevolod Pudovkin was a Soviet actor, director, and film theorist working during the first half of the 20th century. He studied chemistry at Moscow State…

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Ivens, Joris (1898–1989)

Joris Ivens (Georg Henri Anton Ivens), nicknamed “The Flying Dutchman” for his globe-trotting career, was a Dutch documentary maker. His political commitment and deft use…

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Vogel, Debora (1900–1942)

Debora Vogel (1900–42) was a Polish-Jewish writer, poet, art critic, essayist, philosopher, and translator. She is a key – yet unrecognised – figure in the…

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Ghatak, Ritwik Kumar (1925–76)

Ritwik Ghatak was an Indian Bengali filmmaker who, along with filmmakers like Satyajit Ray and Mrinal Sen, is known as one of the proponents of…

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Gance, Abel (1889–1981)

Abel Gance, né Abel Perthon, was a French dramatist, actor, critic, poet, screenwriter, and director. Trying to make it as a playwright and actor from…

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Griffith, David Wark (1875–1948)

American film director D.W. Griffith was a pivotal figure in cinema’s ascendance as a mass medium and modern art form. He is best known for…

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Eisenstein, Sergei Mikhailovich (1898–1948)

Sergei Eisenstein was an early Soviet film director and theorist who produced widely acknowledged masterpieces of both silent and sound cinema, such as Strike (1924),…