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Japonisme

The term Japonisme refers to the reception of Japanese art products and stylistic forms in Europe and the United States beginning in the second half…

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Yōga [洋画]

The term Yōga is used in Japan to refer to Western-style art. It is often used to specifically denote oil paintings but more widely can…

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Yokoyama, Taikan [横山大観] (1868–1958)

The name Yokoyama Taikan is synonymous with Nihonga (Japanese-style painting) and the Japan Art Institute [Nihon Bijutsuin, 日本美術院]. Taikan was among the first batch of…

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Takamura, Kôtarô (高村光太郎) (1883–1956)

Takamura Kôtarô was a sculptor, poet, and essayist associated with several important modern Japanese art and literature movements, including the Folk Art (Mingei) and White…

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War Art in Japan

Under Japan’s totalitarian state during World War II, most Japanese artists participated in the war effort. Their activities included producing works commissioned by the state,…

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Murayama, Tomoyoshi (1901–1977)

Tomoyoshi Murayama was a multi-disciplinary Japanese artist associated with the interwar avant-garde and leftwing theater movements. After briefly attending Tokyo Imperial University, Murayama moved to…

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Overview

Impressionism (Painting)

Impressionism is an artistic movement that flourished in France between 1860 and 1890. The term has been widely adopted around the world to describe artistic…

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Overview

Cubism

Cubism is an influential modernist art movement that emerged in Paris during the first decade of the twentieth century. The term was established by Parisian…

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Overview

Surrealism Overview

Soupault’s publication of Manifeste du Surréalism in 1924. Rising in the wake of the First World War, Surrealism revolted against a world that had become…

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Overview

Abstract Expressionism

Abstract Expressionism was a movement initiated by a group of loosely affiliated artists that came together during the early 1940s, primarily in New York City.…

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Atsuko, Tanaka (1932–2005)

Born on the February 10, 1932 in Osaka, Japan, Atsuko Tanaka was a leading figure in Gutai, an avante-garde artists’ movement which counted more women…

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Kawabata, Ryûshi (川端龍子) (1885–1966)

Kawabata Ryûshi was one of few artists who were adept at both Nihonga (Japanese-style painting) and Yôga (Western-style painting). Originally trained in the latter, Ryûshi’s…

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Pan no Kai (active 1908–1912)

Pan no Kai, or Pan Society, was a group of writers, poets, artists, and actors active in Tokyo from 1908 to around 1912. It was…

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Nihonga

Nihonga refers to Japanese-style painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. It was a term…

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Tenshin, Okakura (1863–1913)

Okakura Tenshin, also known as Okakura Kakuzô, was a Japanese scholar and writer whose major works include The Ideals of the East with Special Reference…

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Hijikata Tatsumi (1928–1986)

Hijikata Tatsumi is considered to be the founder of butoh, though titles such as instigator or ringmaster may be more appropriate. Hijikata premiered his first…

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Gutai

Gutai Art Association [Gutai Bijutsu Kyōkai] [具体美術協会] was an influential post-World War II Japanese avant-garde collective with an outward-looking mindset. Founded in 1954 in Ashiya,…

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Shinnanga

Shinnanga [新南画], or “neo-nanga,” is a term that came into use during the Taisho period (1912–1926) to describe new interpretations of literati-style painting by Japanese…

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Tanizaki Jun’ichirō (1886-1965)

Tanizaki Jun’ichirō (1886-1965) was a leading novelist, playwright and theorist of the Taishō and Shōwa eras. Although best known as a novelist, Tanizaki’s plays also…

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White Savages Group

The White Savages Group (Baek-man Heo) was founded in 1930 when Kim Yong-jun (1904–1967) published his manifesto “Upon Founding the White Savages Group” in a…