Experimental Film, Japan
Experimental film, often used interchangeably with the term ‘avant-garde’ film or ‘underground’ film in Japan, has typically been associated with the emergence of radical and…
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Anemic Cinema (1926)
Considered one of the important experimental films of the prewar European avant-garde, Anemic Cinema (1926) is a short experimental film by Marcel Duchamp, who authored…
Anthology Film Archives
Anthology Film Archives (“Anthology” hereafter) is an experimental film institution that was founded in 1970 by experimental filmmakers Jonas Mekas, Jerome Hill, Peter Kubelka, Stan…
Jordan, Lawrence (1934--)
Lawrence (Larry) Jordan has worked as an experimental filmmaker for the last six decades. Raised in Denver, Colorado, he attended high school with filmmaker Stan…
Richter, Hans (1888–1976)
Hans Richter was a German painter, graphic artist, and experimental filmmaker associated with a number of the European avant-garde movements, most notably Dadaism. After 1940…
Meshes of the Afternoon (1943)
Meshes of the Afternoon (1943), an experimental film by Maya Deren and Alexander Hammid, is considered an American avant-garde watershed. The husband–wife team played the…
Kinugasa, Teinosuke (1896–1982)
Kinugasa Teinosuke (1 January 1896–26 February 1982) was a Japanese actor and film director, most famous for his experimental films of the 1920s and art-house…
Fuses
Fuses (1967, 29:51 min, colour, 16 mm film on video) is a ground-breaking experimental film by American performance artist, installation artist, and filmmaker Carolee Schneemann…
Deren, Maya (1917–1961)
Maya Deren (born Eleanora Derenkowskaia in Kiev, Ukraine) was a Russian American experimental filmmaker whose work in the 1940s and 1950s had a profound impact…
Menken, Marie (1910–1970)
Marie Menken was a New York-based experimental filmmaker who produced her main work during the 1950s and 1960s. Born in Brooklyn to an immigrant Lithuanian…
The Inauguration of the Pleasure Dome (1954)
The Inauguration of the Pleasure Dome is a short experimental film by American filmmaker Kenneth Anger, celebrated for its provocative subject matter, surrealistic editing, and…
New American Cinema
The New American Cinema was a movement to create independent films that expressed the countercultural moods and sensibilities of the late 1950s and early 1960s;…
Vulgar Modernism
J. Hoberman (James Lewis Hoberman) first introduced his concept of “vulgar modernism” in 1981 to describe a particular sensibility found on the “looney” fringes of…
Underground Cinema
‘Underground’ is a label applied to the outer fringes of the radical film spectrum: films whose form, subject matter, or both, challenge conventional cinematic habits.…
A Page of Madness (1926)
A Page of Madness [Kurutta ichipeiji or ippeiji] is a black and white silent Japanese film directed by Kinugasa Teinosuke that has been celebrated for…
Kluge, Alexander (1932--)
Alexander Kluge is a German author, film director, and television producer who has also worked as a lawyer, teacher, and political lobbyist. A founding figure of…
Un Chien Andalou (1929)
Un Chien Andalou [An Andalusian Dog] (1929) is a short Surrealist film by Luis Buñuel and Salvador Dalí, who collaborated on the scenario. The opening…
Burroughs, William S. (1914–1997)
Born in St. Louis, Missouri, William S. Burroughs was a major figure of the Beat Generation. He is known primarily for his controversial novel Naked…
Jacobs, Lewis (1906–97)
Lewis Jacobs (1906–97) was an American film critic, historian, and filmmaker. Jacobs initially studied painting and design, and his first foray into cinema was through…
Die Novembergruppe [The November Group] (1918–1934)
Founded in December 1918 in response to the November Revolution in Germany, The November Group was an association of radical and politically engaged artists, including…
Rainer, Yvonne (1934--)
Yvonne Rainer is a key figure of both American postmodern dance and avant-garde feminist cinema. Rainer was a founding member of New York City’s Judson…
Man with a Movie Camera (1929)
Together with Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a City, Ruttmann, 1927), Chelovek s kinoapparatom (Man with a Movie Camera) is one of…
Film Subject Overview
The Film Section includes entries on a variety of modernist genres, periods, movements, directors, films, and critical modes aligned with modernist aims and intellectual attitudes.…
Surrealism Overview
Soupault’s publication of Manifeste du Surréalism in 1924. Rising in the wake of the First World War, Surrealism revolted against a world that had become…
Borderline (1930)
An experimental production of an avant-garde collective of poets and artists known as the POOL group, Borderline is a key example of modernist montage techniques…