Access to the full text of the entire article is only available to members of institutions that have purchased access. If you belong to such an institution, please log in or find out more about how to order.

Article

Meshes of the Afternoon (1943) By Zenari, Vivian

DOI: 10.4324/9781135000356-REM1699-1
Published: 01/10/2017
Retrieved: 22 September 2023, from
https://www.rem.routledge.com/articles/meshes-of-the-afternoon-1943

Article

Meshes of the Afternoon (1943), an experimental film by Maya Deren and Alexander Hammid, is considered an American avant-garde watershed. The husband–wife team played the parts of the unnamed man and woman and filmed in their Hollywood home.

content locked

Published

01/10/2017

Article DOI

10.4324/9781135000356-REM1699-1

Print

Related Items

Film
Film
Browse iconic Modernist filmmakers
Modernism in Canada and The United States
Modernism in Canada and The United States
Discover the famous names, movements and events that influenced Modernism in Canada and the United States
Avant-garde
Avant-garde
The term “avant-garde” has a double meaning, denoting first, the historical movements that started in the late nineteenth century and ended in the 1920s and…
Deren, Maya (1917–1961)
Deren, Maya (1917–1961)
Maya Deren (born Eleanora Derenkowskaia in Kiev, Ukraine) was a Russian American experimental filmmaker whose work in the 1940s and 1950s had a profound impact…
Citing this article:

Zenari, Vivian. "Meshes of the Afternoon (1943)." The Routledge Encyclopedia of Modernism. : Taylor and Francis, 2016. Date Accessed 22 Sep. 2023 https://www.rem.routledge.com/articles/meshes-of-the-afternoon-1943. doi:10.4324/9781135000356-REM1699-1

Copyright © 2016-2023 Routledge.