Dos Passos, John (1896–1970)
John Dos Passos was an American writer best known for his ‘contemporary chronicles’ of American life. His early novels, including Manhattan Transfer (1925) and the…
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New American Cinema
The New American Cinema was a movement to create independent films that expressed the countercultural moods and sensibilities of the late 1950s and early 1960s;…
Pudovkin, Vsevolod Illarionovich (1893–1953)
Vsevolod Pudovkin was a Soviet actor, director, and film theorist working during the first half of the 20th century. He studied chemistry at Moscow State…
Marker, Chris (1921–2012)
Chris Marker was a French filmmaker, photographer, writer, and multi-media artist who is widely considered to be the foremost pioneer of the essay film. More…
Simultaneism (simultanéisme)
Neither a movement, nor a group of loosely connected artists, Simultaneism instead describes a tendency in modernist avant-garde art and literature from roughly 1912 through…
Gance, Abel (1889–1981)
Abel Gance, né Abel Perthon, was a French dramatist, actor, critic, poet, screenwriter, and director. Trying to make it as a playwright and actor from…
Rossellini, Roberto (1906–1977)
Roberto Rossellini (Roberto Gastone Zeffiro Rossellini, Rome, May 8, 1906—June 3, 1977) was an Italian film director, screenwriter, and producer. His early work appeared at…
Griffith, David Wark (1875–1948)
American film director D.W. Griffith was a pivotal figure in cinema’s ascendance as a mass medium and modern art form. He is best known for…
Godard, Jean-Luc (1930–)
One of the most important filmmakers in the latter half of the 20th century, Jean-Luc Godard’s reputation remains enduringly linked with the French nouvelle vague…
Tzara, Tristan (1896-1963)
Born Samuel (Samy or Sami) Rosenstock in Moineşti, Romania, Tristan Tzara was an avant-garde poet, performer, critic, and film director. Together with Hugo Ball, Hans…
Döblin, (Bruno) Alfred (1878-1957)
Alfred Döblin’s contributions to modern literature consist primarily of his montage style, epic narrative structures and critical eye toward contemporary culture. His masterpiece Berlin Alexanderplatz.…
A Movie (1958)
A Movie (1958) is a twelve-minute compilation montage of vintage newsreels, soft-core “girlie movies,” low-budget Westerns, educational and ethnographic films, and other black and white…
Kuleshov, Lev Vladimirovich (1899–1970)
Lev Kuleshov was a Soviet director and theorist who initiated the montage movement of the 1920s. He proclaimed editing to be the primary authorial act…
Man with a Movie Camera (1929)
Together with Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a City, Ruttmann, 1927), Chelovek s kinoapparatom (Man with a Movie Camera) is one of…
Solanas, Fernando (1936--)
Fernando “Pino” Solanas is an Argentinian director, screenwriter, author, politician, and public intellectual. Alongside Octavio Getino, Solanas is a founder of the Third Cinema political…
Bazin, André (1918–1958)
André Bazin (born April 18, 1918, Angers, France–died November 11, 1958, Nogent-sur-Marne, France) was an influential French film critic who was active during the development…
Modernist Film Criticism
Criticism is one of the fundamental concepts in Modernism and is defined by “the intensification, almost exacerbation, of [a] self-critical tendency” that began with Kant,…
Höch, Hannah (1889–1978)
Hannah Höch was a German painter and photomontagist who also worked in modern domestic handicraft, fabric and fashion design. She is primarily known for the…
Collage
Collage is an artistic technique first used in the 20th century in which paper, photographs, fabric, and other items are glued onto paper or canvas.…