Japanese-Korean Artistic Exchange (20th Century)
Japan was the most active among the East Asian countries in embracing Western civilization during the late 19th century. At the same time, the 500-year-old…
Japan was the most active among the East Asian countries in embracing Western civilization during the late 19th century. At the same time, the 500-year-old…
The term ‘modernism’ is commonly used to describe some of the literary and cultural production of the early twentieth century in China, Japan, and Korea,…
Kim Tschang-yeul was born in Korea during the Japanese colonial era. After studying painting at the College of Fine Arts at Seoul National University (1948–1950),…
Academic Realism refers to the mainstream style of Western painting from the Japanese colonial era (1910–45), as exemplified by works shown at the Joseon Art…
Monochrome painting, otherwise known in Korea as Tansaekwa, was an art movement that emerged after the Korean War, lasting from the late 1960s through to…
Yi In-sŏng was a Western-style modernist painter born in Taegu in southern Korea. It was there that he learned the basic techniques of Western-style painting…
Yi Chung-sŏp was a modern Korean painter known for his expressionist style. Yi’s painting was strongly influenced by the brushwork of Korean painting and calligraphy…
Informel is an art movement characterized by non-geometrical abstraction and expressive gestures. Emerging in the mid-1950s, Informel is generally considered the first radical artistic experiment…
Dongyanghwa (東洋畵, Jap. toyoei), or “Oriental painting”, are brush paintings made with ink or color on either paper or silk. In the Joseon Dynasty, such…
The White Savages Group (Baek-man Heo) was founded in 1930 when Kim Yong-jun (1904–1967) published his manifesto “Upon Founding the White Savages Group” in a…
Ku Ponung was a modern artist and critic active during the Japanese colonial period and the Korean War. Due to his spine curvature and eccentric…
A leading figure of the first generation of Korean abstract artists, from the mid-1930s Kim Whanki shaped a distinctive style by grafting Korean lyricism into…
Ko Hŭi-dong is regarded as Korea’s first Western-style painter. Born into a progressive diplomatic family, Ko studied at a French language school in Seoul where…
Nam June Paik was a Korean-born American artist who achieved international notoriety for his destructive, neo-dada activities and visionary, esthetic experiments with electronic media. Born…
Mono-ha refers to a unique art movement, its artists active in Japan most visibly from 1968 to 1975. Translating as the school of things, these…
The term “video art” is used to describe art made using video technology. Not to be confused with experimental cinema or art film, video art…