Access to the full text of the entire article is only available to members of institutions that have purchased access. If you belong to such an institution, please log in or find out more about how to order.


Article

Satie, Erik Alfred Leslie (1866–1925) By Dorf, Samuel N.

DOI: 10.4324/9781135000356-REM40-1
Published: 09/05/2016
Retrieved: 27 April 2024, from
https://www.rem.routledge.com/articles/satie-erik-alfred-leslie-1866-1925

Article

Erik Satie’s compositions, writings, and humor played an important role in many modernist movements of the twentieth century. Experimenting with simple forms, neoclassicism, mysticism, satire, and Dadaism, Satie collaborated with prominent artists, musicians, and institutions including Vincent Hypsa, Jean Cocteau, Pablo Picasso, Rene Clair, Francis Picabia, Claude Debussy, Man Ray, the Ballets Russe, the Ballets Suédois. Most recognized today for early his modal, pseudo-antique dances, the Gymnopédies and Gnossiennes, Satie also composed popular tunes, humorous piano works that mocked musical conventions, avant-garde ballets, as well as numerous mystical, irreverent, and nonsensical writings and drawings. His works and persona, sometimes whimsical, arcane, gothic, mystical, or Dadaistic inspired later generations of modernist artists and composers such as Les Six, Virgil Thomson, and John Cage.

content locked

Published

09/05/2016

Article DOI

10.4324/9781135000356-REM40-1

Print

Related Searches



Related Items

Citing this article:

Dorf, Samuel N.. Satie, Erik Alfred Leslie (1866–1925). Routledge Encyclopedia of Modernism, Taylor and Francis, https://www.rem.routledge.com/articles/satie-erik-alfred-leslie-1866-1925.

Copyright © 2016-2024 Routledge.