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Search Results 1 - 10 of 10


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Overview

Film Subject Overview

The Film Section includes entries on a variety of modernist genres, periods, movements, directors, films, and critical modes aligned with modernist aims and intellectual attitudes.…

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Overview

Montage

As an aesthetic principle, montage, defined as the assemblage of disparate elements into a composite whole often by way of juxtaposition, is most often associated…

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Black God, White Devil (1964)

Black God, White Devil is a 1964 film directed by Brazilian auteur Glauber Rocha. Shot on location in the Brazilian sertão, it launched the cinema…

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Jacobs, Lewis (1906–97)

Lewis Jacobs (1906–97) was an American film critic, historian, and filmmaker. Jacobs initially studied painting and design, and his first foray into cinema was through…

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Barnet, Boris (1902–1965)

Boris Barnet (b. June 18, 1902, Moscow, Russia; d. January 8, 1965, Riga, Latvia) was a Russian actor, director, and professional boxer. He made his…

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Alfred Hitchcock (1899–1980)

Anglo-American director Alfred Hitchcock was one of the most influential auteurs in cinema history, making more than fifty feature films between 1925 and 1976. He…

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Italian Neorealism

Italian Neorealism is a filmmaking movement associated with a select group of Italian filmmakers in the latter years of, and the years immediately following, World…

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Politics and Cinema

The relationship between politics and the cinema is probably one of the most vexatious questions to have occupied the academic discipline of film studies, and…

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Art Cinema

Although the term circulates widely in popular and academic discourse, ‘art cinema’ is a notoriously difficult concept to define, conjuring a wide range of associations…