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Strike (Sergei Eisenstein, 1925)

The first feature film of legendary Soviet director Sergei Eisenstein, Strike, is an anatomy of the germination of collective action, its surveillance within modern networks…

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Eisenstein, Sergei Mikhailovich (1898–1948)

Sergei Eisenstein was an early Soviet film director and theorist who produced widely acknowledged masterpieces of both silent and sound cinema, such as Strike (1924),…

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Overview

Montage

As an aesthetic principle, montage, defined as the assemblage of disparate elements into a composite whole often by way of juxtaposition, is most often associated…

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Overview

Constructivism

Prior to World War II, Constructivism attracted little interest from British artists apart from the few involved with Circle in 1937. Circle consisted of a…

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Leyda, Jay (1910–1988)

Jay Leyda’s peripatetic life and protean career cut a unique, remarkable path. The long list of roles he mined include filmmaker, photographer, critic, archivist, art…

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Ivens, Joris (1898–1989)

Joris Ivens (Georg Henri Anton Ivens), nicknamed “The Flying Dutchman” for his globe-trotting career, was a Dutch documentary maker. His political commitment and deft use…

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The Birth of a Nation

One of the most watched and debated American films in history, The Birth of a Nation is a 1915 silent film by D. W. Griffith…

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Modernist Shakespearean Cinema

From the moment of its birth cinema generated its own forms of Shakespeare. About 400 Shakespearean films were produced during the silent era, even though…

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Pudovkin, Vsevolod Illarionovich (1893–1953)

Vsevolod Pudovkin was a Soviet actor, director, and film theorist working during the first half of the 20th century. He studied chemistry at Moscow State…

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Jacobs, Lewis (1906–97)

Lewis Jacobs (1906–97) was an American film critic, historian, and filmmaker. Jacobs initially studied painting and design, and his first foray into cinema was through…

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World Film News

World Film News was a publication that advanced the visibility of the documentary film movement and hosted wide-ranging debates over film, politics, and aesthetics. The…

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Kuleshov, Lev Vladimirovich (1899–1970)

Lev Kuleshov was a Soviet director and theorist who initiated the montage movement of the 1920s. He proclaimed editing to be the primary authorial act…

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Modernist Film Criticism

Criticism is one of the fundamental concepts in Modernism and is defined by “the intensification, almost exacerbation, of [a] self-critical tendency” that began with Kant,…

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Concrete Poetry

In general, ‘concrete poetry’ refers to a type of literary composition where the material aspects of a text (layout, typography, sound, etc.) are foregrounded and…

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Kluge, Alexander (1932--)

Alexander Kluge is a German author, film director, and television producer who has also worked as a lawyer, teacher, and political lobbyist. A founding figure of…

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Parnakh, Valentin Yakovlevich (1891–1951)

Brother of the celebrated poet Sofia Parnok, Valentin Parnakh was a Russo-Soviet dancer, jazz musician, actor, poet, and translator, a mover and shaker of the…

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Foregger, Nikolai Mikhailovich (1892–1939)

A Soviet artist, critic, designer, choreographer, and theatre director, Nikolai Mikhailovich Foregger graduated from Law School at Kiev University, with a specialisation in medieval French…

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Alvarez Bravo, Lola (1903–1993)

Born to a wealthy family in Jalisco, Mexico, Dolores Martínez de Anda (always known as Lola) was brought up in luxury during her infancy and…

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Simultaneism (simultanéisme)

Neither a movement, nor a group of loosely connected artists, Simultaneism instead describes a tendency in modernist avant-garde art and literature from roughly 1912 through…

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Griffith, David Wark (1875–1948)

American film director D.W. Griffith was a pivotal figure in cinema’s ascendance as a mass medium and modern art form. He is best known for…

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Mayakovsky, Vladimir (1893–1930)

Vladimir Mayakovsky (МАЯКОВСКИЙ, ВЛАДИМИР) was a leading Russian poet of the twentieth century and representative of Russian Futurism, a modernist trend that emerged as an…

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Russian Modernism (1890–1934)

Russian modernism arose as a rejection of positivism and the realism of the major nineteenth-century Russian novelists such as Lev Tolstoy, Fyodor Dostoevsky, and Ivan…

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Politics and Cinema

The relationship between politics and the cinema is probably one of the most vexatious questions to have occupied the academic discipline of film studies, and…