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Article

Ophüls, Max (1902–1957) By Pringle, Thomas Patrick

DOI: 10.4324/9781135000356-REM1701-1
Published: 01/10/2017
Retrieved: 22 January 2019, from
https://www.rem.routledge.com/articles/ophuls-max-1902-1957

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Max Ophüls is an important critic and filmmaker of the postwar period, known for his opulent set design, kinetic long-takes, and proto-feminist melodramas, a source of inspiration for the French New Wave. Born into a family of wealthy Jewish textile industrialists in Saarbrücken, Germany, the young stage director changed surnames from Oppenheimer to Ophüls to spare his relatives the shame of his pursuing a career in the arts. He directed five films in Germany before fleeing to Paris after the burning of the Reichstag in 1933. He subsequently escaped Europe in 1941 and joined the Jewish émigré directors in Hollywood. After several years of unemployment, Ophüls directed his best-known American features: The Exile (1948) and Letter from an Unknown Woman (1948).

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01/10/2017

Article DOI

10.4324/9781135000356-REM1701-1

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Citing this article:

Pringle, Thomas Patrick. "Ophüls, Max (1902–1957)." The Routledge Encyclopedia of Modernism. : Taylor and Francis, 2016. Date Accessed 22 Jan. 2019 https://www.rem.routledge.com/articles/ophuls-max-1902-1957. doi:10.4324/9781135000356-REM1701-1

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