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Article

Musical Modernism in Bali and Java By McGraw, Andrew

DOI: 10.4324/9781135000356-REM584-1
Published: 09/05/2016
Retrieved: 16 October 2018, from
https://www.rem.routledge.com/articles/musical-modernism-in-bali-and-java

Article

Musical modernism was not domesticated within Balinese or Javanese culture to the extent that it was in other parts of Asia. Although a handful of composers have engaged the specific languages of Western musical modernism, more common is a distinctly Indonesian approach, combining modernist philosophies regarding innovation and art’s role in society with developments in local musical styles. Although Western musical genres—primarily Christian liturgical and colonial military music—had slowly diffused throughout the Indonesian archipelago since the late fifteenth century, Western classical music was not widely domesticated in the Dutch East Indies colony, being primarily limited to upper-class Dutch and mestizo communities in Batavia (Jakarta), Central Java, and Surabaya (East Java). In the early twentieth century these communities overwhelmingly preferred light classical song (seriosa) to classical or modernist styles.

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09/05/2016

Article DOI

10.4324/9781135000356-REM584-1

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Citing this article:

McGraw, Andrew. "Musical Modernism in Bali and Java." The Routledge Encyclopedia of Modernism. : Taylor and Francis, 2016. Date Accessed 16 Oct. 2018 https://www.rem.routledge.com/articles/musical-modernism-in-bali-and-java. doi:10.4324/9781135000356-REM584-1

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