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Modern Lacquer Painting in Vietnam By André-Pallois, Nadine

DOI: 10.4324/9781135000356-REM468-1
Published: 09/05/2016
Retrieved: 17 September 2019, from
https://www.rem.routledge.com/articles/modern-lacquer-painting-in-vietnam

Article

First practiced in China and Japan, lacquer was originally adopted in Vietnam as a decorative technique, used to protect and embellish religious and household objects. In the 1930s, the technique was revived in Vietnam as a distinct style of fine art—known as sơn mài—largely thanks to the efforts of Vietnamese students and French teachers at the Ecole Supérieure des Beaux-Arts de l’Indochine in Hanoi. Following the 1930s, Vietnamese artists worked to develop further the potential of this traditional technique, organising a lacquer workshop at the Ecole Supérieure des Beaux-Arts de l’Indochine with the help of Vietnamese craftsmen, who taught attendees the different steps involved in creating a lacquer painting. During this period Vietnamese art students, including Nguyễn Gia Trí, Trâ`n Văn Cẩn, and Phạm Hâ`u, worked to increase the nuance of the medium and to give a superior relief to the lacquer board through rubbing and polishing.

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09/05/2016

Article DOI

10.4324/9781135000356-REM468-1

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Citing this article:

André-Pallois, Nadine. "Modern Lacquer Painting in Vietnam." The Routledge Encyclopedia of Modernism. : Taylor and Francis, 2016. Date Accessed 17 Sep. 2019 https://www.rem.routledge.com/articles/modern-lacquer-painting-in-vietnam. doi:10.4324/9781135000356-REM468-1

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