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Fantômas By Harley, Jeremy

DOI: 10.4324/9781135000356-REM312-1
Published: 09/05/2016
Retrieved: 25 August 2019, from
https://www.rem.routledge.com/articles/fantomas

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The first and most famous of many films based on the eponymous villain created by writers Marcel Allain and Pierre Souvestre, the silent crime serial Fantômas (1913) is considered to be one of the greatest and most influential works of French film director Louis Feuillade. In Fantômas, Feuillade first experimented on a large scale with techniques that would become staples of various film genres, particularly the thriller, and in a foreshadowing of modern studio wars, both Pathe and Gaumont fought for the rights to develop Fantômas into a movie (Abel 1998: 373). The character of Fantômas served as an inspiration for writer Norbert Jacques’ master criminal, Dr. Mabuse. Furthermore, modernist director Fritz Lang’s films, including his adaptations of Jacques’ work, seem to bear the mark of Feuillade’s realist fantasies (for example the striking similarity between the opening sequence of Lang’s 1922 Dr. Mabuse, der Spieler [Dr. Mabuse the Gambler] and that of Fantômas), although there is no definitive evidence that Lang himself acknowledged such a debt. Surrealists too were fascinated by the character, in particular René Magritte, who made direct studies of Feuillade’s film (Walz 2000: 71).

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09/05/2016

Article DOI

10.4324/9781135000356-REM312-1

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Citing this article:

Harley, Jeremy. "Fantômas." The Routledge Encyclopedia of Modernism. : Taylor and Francis, 2016. Date Accessed 25 Aug. 2019 https://www.rem.routledge.com/articles/fantomas. doi:10.4324/9781135000356-REM312-1

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